On “The Terrible Old Man” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

This is basically the 1920s equivalent of a right-wing Gran Torino meme.

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REVIEW: The Rise and Fall of the Cthulhu Mythos by S.T. Joshi

As someone who has been writing quite a bit about Lovecraft of late, it occurred to me that I should probably try and familiarise myself with some of the scholarly discourse surrounding his work and its legacy.

Aside from Lovecraft’s racism, the most obvious point of entry seemed to be the question of whether Lovecraft’s stories merely overlap or whether the referencing, shared names, and recurring settings amount to anything akin to an extended literary universe or ‘mythos’.

As a Lovecraft reader, my assumption has always been that while Lovecraft had this list of Named Entities that he would return to in story after story, said Named Entities were never deployed in a particularly coherent or consistent fashion.

I assumed that whenever Lovecraft needed one of his characters to read from some mind-shredding book of forbidden lore, he’d drop a reference to the Necronomicon because having the Necronomicon feature in a load of different stories strengthened its symbolic power as a representation of ‘forbidden lore that will melt your shit’. I did not occur to me that Lovecraft might have had a clear idea as to what the Necronomicon actually contained.

Similarly, when Lovecraft made repeated references to Arkham or Kingsport, I assumed it was because he wanted to set the action in either a coastal town or a mid-sized city and rather than using real-world places that he could ‘get wrong’ he used made-up places which, though inspired by the real world, could be bent and twisted to suit the needs of a given story. It did not occur to me that Lovecraft might have had these fictional towns all planned out in his head like Tolkien drawing maps of the Shire. In other words, I assumed that, for Lovecraft, a commitment to coherent world-building was much less of a priority than producing stories that ‘worked’ and hit specific thematic and affective beats.

The first inkling that maybe people were not reading Lovecraft in the same way I was came when I started encountering Joshi’s repeated angry references to the so-called ‘Cthulhu Mythos’ and while I had always assumed that the term was just a means of referring to the content of Lovecraft’s stories, it is a term that has actually been subject to a surprising amount of discourse. This somewhat frustrating book purports to describe the rise and fall of one very specific vision of that mythos, but it does so using entirely the wrong set of critical tools.

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On “The Statement of Randolph Carter” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

You never know who is on the end of the line…

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On “The Doom that came to Sarnath” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

Everything louder than everything else.

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On “The White Ship” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

I am too principled to experience happiness.

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On “The Transition of Juan Romero” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

Sometimes an evocative title goes a long way.

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On “Old Bugs” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

When you try to mock your friends only to wind up making a mockery of yourself.

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On “Memory” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

“Memory” is only about four paragraphs long.

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On “Beyond the Wall of Sleep” by H.P. Lovecraft

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

Some folks’ll never be possessed but then again some folks’ll… like Cletus the slack-jawed Yokel.

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On “The Green Meadow” by H.P. Lovecraft and Winifred V. Jackson

Canon Fodder is an occasional series in which I write about classic works of horror fiction. This particular part of the series is devoted to the complete published works of H.P. Lovecraft, which I will slowly be working my way through.

Imagine yourself at a dinner party that never ends.

Continue reading “On “The Green Meadow” by H.P. Lovecraft and Winifred V. Jackson”