WTD: Once & Future

Watching the Detectives is a series of posts about drawing inspiration from fictitious paranormal investigators, occult detectives, police psychics, and monster hunters. The rest of the series can be found here.

I must admit to having something of a strained relationship with the work of Kieron Gillen.

The source of the tension is that while I adore Phonogram as well as The Wicked + The Divine, I would struggle to either name their characters, or describe their plots. This tension is a product of how Gillen approaches the writing of these kinds of series.

The creative methodology behind Phonogram and The Wicked + The Divine is to take a sociological phenomenon which, though strange, is mundane to the point of absolute ubiquity. Gillen then steps back from this phenomenon and asks us to consider what it would look like if said phenomenon was rooted in magic rather than human psychology. For example, Phonogram looks at people’s relationships with popular music and the way that pop music scenes can be so powerful as to give you a sense of rootedness and identity but also fragile enough to dry up and blow away with the passage of time.  The Wicked + The Divine deals with a similar set of themes in that its focus is on celebrity, fandom, and the way that human culture lavishes attention on certain people at certain times only to cast them aside the second they have ceased to be of use.

Both Phonogram and The Wicked + The Divine are hugely clever and well-realised pieces of comics writing but they both struggle with character and narrative. Indeed, were it not for the brilliant artwork and visual story-telling of Jamie McKelvie, you would be well justified in claiming that both works read more like elevator pitches than actual comics.

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